Monday, June 27, 2016

Regretful Throwback Review of 'Transformers: Age of Extinction'


I thought it would be nice for me to write this regretful throwback review of 2014's Transformers: Age of Extinction since today is June 27th. "Best Summer Movie of 2014"? "Better than TF 2 & 3"? What the heck was I thinking? Was the wait for TF4 worth it after Michael Bay finished Pain & Gain? As I compare and contrast this fourquel with the first three films that I remember were the real deal, it grieves me to say how disappointed I was. For a minute, I thought that TF4 would help me put aside all of the overwhelmingly upsetting complaints and flaws (such as cheap fan service of 'bots and 'cons) that I've had to go through in Revenge of the Fallen (my most disliked TF sequel since 2009) and Dark of the Moon, both of which I believe were not on par with the first ever live-action Transformers movie that changed my life forever. Once I knew that Shia LaBeouf's character is not set to appear in the 4th film, I thought that it would be a relief. From my first viewing of TF: AOE at Tysons Corner, I was sort of glad that most of the robot characters like Optimus Prime felt like actual characters than cheap visual props. With the addition of the Dinobots and Galvatron being revealed to be the same Megatron from TF 1-3, I thought that things were about to get very interesting for the movie franchise. But it's as though the weak domestic gross of $245 million, the meager $60 million DVD/Blu-ray sales, and the Rotten Tomato critical rating of 18% that AOE got were right all along. As do the mediocre-detailed TF movie toy figures (and lack of correct-sized toys regarding Lockdown and Galvatron) nowadays. For every repeated viewing before looking back at the original 3, I realized that my initial appreciation of TF4 was a big mistake. Which leaves me a question: Is the latest movie that stars Mark Wahlberg the post-DOTM epilogue I have been waiting for after finishing the final season of Transformers: Prime? Problem was, Age of Extinction lacked everything that I enjoyed about the Transformers movies, terrible or no, before the movie industry became dominated by even better ones like Marvel/DC superhero movies, Hunger Games and such. The outcome of the Chicago Battle we got instead are humans fearing and hating the Transformers, especially the Autobots that have fought everything by sacrificing their own home planet to save mankind from the Decepticons, which prompted the government to finally cut off military ties with the Autobots and thus allowing the hostile human task force Cemetery Wind to hunt down Decepticons AND Autobots across the globe! What happens to the post-DOTM Autobots (anyone NOT Optimus Prime or Bumblebee) minus newcomers like Hound, Drift, and Crosshairs? They were said to have been massacred. Every. Last One. Which may include Ratchet (check), Leadfoot (check), Roadbuster, Topspin, Dino/Mirage (Mattel, not Hasbro, owns Ferrari - so, he must be dead), and even Sideswipe. Not the personal "thank you" I wanted for the Autobots that may not participate in AOE. It just makes me feel so upset and angry that the Transformers brand is losing everything that made it so popular as if cheaply killing off Starscream, Soundwave, and Shockwave in TF3 wasn't bad enough! Seeing Ratchet, the last of the original TF1 cast, getting gunned down by Savoy's team and Lockdown was like seeing part of my childhood being destroyed! They should have let Josh Duhamel and Tyrese Gibson come back to play Lennox and Epps again to provide some indication that the TF1-3 feeling is not gone for good and that there are still humans remaining loyal with the Autobots. It's almost like Dark of the Moon, although containing stuff that upsets me the most like Sentinel Prime's allegiance with the Decepticons and his role being a main TF3 villain instead of Megatron or Shockwave, could have been the final film despite the ending that I felt needed some extension to properly tie up loose ends. Even with the new human cast, they're just even more unlikeable and even worse than they were before like the movie crew and writer Ehren Kruger were either on drugs or completely desperate to make the movie per the studio's request without being concerned about the fans' complaints! And once we were given an explanation that there were "Creators" that uses their "Seeds" to produce and harvest the metal "Transformium" from every organic material they destroy to build the Transformers, as well as the mention of "Knights" (albeit poorly-developed like it was an afterthought) given by Lockdown, that's where it becomes such a jumbled mess that we're unable to clean up. I was more used to the whole AllSpark/Sun Harvester/Moon history thing that I thought for sure that that was it in order to tie all 3 films together. But with the Creator-Seed-Knight issue, I'm not so sure if they do tie well with them. Plus, Optimus and Hound acted like they know so much about that even though Optimus doesn't know who these Creators are and how those Seeds work! I would have to assume that Lockdown might have told him off-screen while Tessa escapes from the drones! And does the AllSpark cube matter to that new plot detail in AOE that wasn't thought of to begin with, or does it not anymore when they say that TF4 is a "soft reboot" despite having an obvious connection with the Chicago Battle in the predecessor? Not only was Transformers 4 so entirely convoluted, but it was so full of very forced humor and unlikeable & unnecessary humans like Jack Reynor and Sophia Myles, and said to be too much of a product placement commercial as though it was for the sake of raising business in China hence why AOE was strongly successful internationally than in the U.S. As soon as we're introduced to Creators, Cemetery Wind, KSI (pointless as it is due to the uninspiring "transforming" sequences), Lockdown, and Galvatron's one-dimensional subplot of him leading his army to capture the Seed, there was just TOO MUCH GOING ON given the 2 hour 45 minute run time! I think I'm good with just the AllSpark origin. It's that simple! Why bother saying that the Creators were responsible for the birth of the Transformers 3 movies later? It was so much better when it was just Autobots vs. Decepticons. THAT is what the Transformers movies after 3 should have been about! Perhaps it was a bad decision to kill off our favorite Decepticons so soon which kinda explains the point with the KSI-made prototype robots. Are these guys out of ideas no matter how much amount of money they get from each film? This is why the first Transformers movie to me is the best one compared to the inferior sequels, like what Pirates of the Caribbean: The Curse of the Black Pearl is to the 3-4 sequels. If next summer's Transformers: The Last Knight does not breathe some life back into this 5-time Razzie Award-winning, critically-struggling 4-film franchise that grossed over $3.7 billion worldwide, then they are about to meet the same fate as the other shameful movie franchises (Resident Evil, Terminator, Ice Age, etc.) that have overstayed their welcome! Guess as Brains would put it, "You dumb greedy bastards just brought extinction to yourself." Paramount had better let Michael Bay be true to his word that The Last Knight would be the "last Transformers movie" he would ever direct to make fans very happy! Right now, the best place where I will truly appreciate the Transformers is not just in the 1st Michael Bay TF movie, but in the G1/Prime TV shows and the War for/Fall of Cybertron video games.
However, with the return of Josh Duhamel, Tyrese Gibson and Megatron (not as Galvatron?) in TF5: TLK, it seems that my faith in the TF movies would have to remain intact before I jumped to conclusions too quickly about reminding myself that "the TF sequels always ruin everything." To remain positive rather than worry myself no matter how many awful comments I find in each movie update, I would watch the final TF4 scene of Optimus leaving Earth to find the Creators a couple times to make me feel anticipated for the 5th installment of the "Transformers Cinematic Universe". Even if, at the same time, I feel nervous about the franchise fatigue getting much worse since Amazing Spider-Man 2 and Terminator Genisys. Let's hope that the oh-so brilliant Writers' Room are successfully getting the Transformers movie franchise back on track with these "wonderful ideas" that they'll come up with for spin-offs (Bumblebee) and prequels (Cybertron).


I'm coming for you.

Thursday, June 16, 2016

My Overview and Reason for Lack of Blog Activity

Whoo! Finally! This is my first blog post since the Academy Awards from this February! I have not even touched Blogger because of my concerns for lack of physical activity at home (such as painting as suggested by my mom and the peers and clients who praises my painting skills) and my full commitment to another blog site called Writing for Designers for my Writing for Artists class with my kind and most understanding teacher Prof. Lynn Constantine. And believe me, I have had a good but difficult and challenging time at George Mason for spring semester this year. I was lucky to get an A in both Writing for Artists (Lynn Constantine) and Co Brand and Design (Jessica Rodriguez) classes, an A+ in Visual Voices Colloquium, and an A- in Paula Crawford's Painting III class. Although I got a B in 3D animation class with Prof. Jesse Cowan, which I thought was the most difficult class of the semester even when I was getting quite good with the tools in the Maya Animation program. But what matters most, is that I did great with that semester, as always, for all of my hard work and effort even when there are times when I kind of prefer to do things I love to do besides painting or working on computer stuff. Like watching movies, that is.



But as I prepare myself for hopefully an exciting summer, I've experienced some surprises and twists and turns that sometimes spawn in a consequential or controversial outcome. For example, Fox's Deadpool was an astounding hit for an R-rated comic book superhero movie, but Batman v Superman: Dawn of Justice which is what I thought I was most excited for besides Marvel's Captain America: Civil War, sadly opened to very upsetting results which is not quite what the studio or fans had expected. To begin that subject, the Zack Snyder-directed blockbuster follow-up to Man of Steel is unfortunately filled with extremely out-of-character moments, particularly for the once proud "symbol of hope" Superman, and convoluted subplots that add nothing to what the "Batman v Superman" title really suggests. Why couldn't the trailers and TV spots be true to their word of what the final product will be like when deep down, it's as though they have NO CLUE of how to honor what made Batman, Superman, and all the DC heroes so popular in a comic book studio that must really think that being Batman is all they care about. I wanted to like the new takes on the most popular superheroes of DC Comics, mostly because of the praise on Ben Affleck's take on Batman, but because BvS has instead repeated the same bothersome mistakes found in Man of Steel, like making Superman too scornful and joyless because "dark and gritty works best", I'm not even sure if that means we should treat the Henry Cavill version of Superman as canon and act like the more heroic Superman (mainly Christopher Reeve and the DC Animated Universe counterpart) doesn't exist. They even made Lex Luthor (in name only even if he's "the son of the REAL (but dead... DEAD!?) Lex Luthor)!) a total loony thanks to Jesse Eisenberg! I would think that Captain America is the real Superman we deserve who is at least handled correctly and acted like a true American superhero and is actually willing to help people without any stupid morals. But that doesn't mean that every DC hero like The Flash or Aquaman should "be like Batman" as though DC thinks that darkness is always "fun"! I feel like the animated shows (mostly the '90s) are always gonna be better than the awful live-action movies (Green LanternJonah HexCatwoman, even the DC Extended Universe films like Batman v Superman)! Although there's a 3-hr R-rated Ultimate Edition coming in DVD/Blu-ray that will change our we feel towards the critically-panned theatrical cut, is that going to justify how upset we are with the stuff that we feel didn't need (Justice League teasers, death of Jimmy Olsen, Lois Lane's bullet investigation, nightmares including the Flash, reason that Batman and Superman fight each other is because of "Martha", the Kevin Costner cameo, last minute inclusion of Doomsday and Death of Superman storyline, etc.)? And with Suicide Squad coming this August and the announcement of Geoff Johns and Jon Berg being made as the "Kevin Feiges" of the DC movies, does that mean that there is "hope" for the DC Extended Universe, particularly correcting the way that Superman was terribly handled prior to next year's long-awaited live-action Justice League movie?


Hey, everyone!
On the bright side though, is that after I finally completed my spring semester at GMU, I got the chance to be reunited with my sister Christine Mayuga and see Captain America: Civil War at Tysons Corner! It's a superhero movie that I believe that Batman v Superman should have ended up as instead when pitting two of our favorite heroes for all of the right reasons with no abrupt resolution. But the biggest highlight of all was being impressed with Tom Holland's long-awaited FAITHFUL portrayal of Spider-Man after having to suffer with the awful-to-mediocre, franchise-killing Spider-Man 3 and Amazing Spider-Man 1 & 2! For once, Sony made the right decision to allow Marvel handle everyone's favorite wall-crawler with care and bringing him back from obscurity! I have viewed the first two critically-acclaimed but overrated Sam Raimi films to prepare myself for Spidey's first debut in the Marvel Cinematic Universe since last year. I was glad that my wait for that was worth it. But for now, let's focus with the Captain America vs. Iron Man squabble. While it retains the awesome direction from Phase 2 game-changer Captain America: The Winter Soldier and proved to be a great start for Phase 3, I would think that it felt kinda too long for 145 minutes with all the fun humor and serious action which is sorta hard to balance each other without annoying Marvel and/or non-Marvel fans. Nevertheless, based on the box office research, it is already earning over $1.14 billion worldwide which is amazing! I knew that Civil War would mark a great start for summer 2016!



Now as far as I can tell, I also had a nice trip, albeit with some stressful struggles when it comes to being so far away from my beloved home Virginia while visiting places like Japan and the Philippines. I was excited to have arrived in Japan with my mom is because that Japan is, as I would call it, the birthplace of all of the famous properties that I was mostly familiar with! Godzilla, Power Rangers, Pokémon, Yu-Gi-Oh!, Hello Kitty, Transformers, Sony, you name it! Tokyo, Japan was such a big city! I never thought that I dreamt of coming there! The biggest gripe for coming to Japan though was all of the foods that I'm uncomfortable to eat with, since I am well picky. I still ate some pizza, chicken and burgers, which is a relief. But oh the places and beautiful sights you can find in Japan! And I almost bought many awesome Japanese toys due to how expensive they were! It is kind of fun to wander around, especially when I visit a place like the Tokyo Tower and the Tokyo Disney Resort! My mom and I even got to see Christine again who was already finishing her classes in this country! Onward to the Philippines!
The Philippines, as I know, is a birthplace of my mom and dad since the 1960s. It must be a very long time for them since they moved away to live in the United States to raise me in 1991. But when we got to Manila, I never expected the conditions to be so tightly full of traffic and full of dirty but poor and helpless people loitering in the streets. My family and I had a fun time, however. We moved to an apartment called Victoria Towers where we'll settle there for 2-3 weeks. We also would usually visit each of our closest relative to the Mayuga family, and we would always to special malls like SM Megamall, Robinsons Mall and Green Belt. I also got to see movies with my dad like Angry Birds and X-Men: Apocalypse, which were already out prior to their American dates! The moment that I never expect would happen was coming to the Philippine General Hospital, which is the building that I have seen before in the paintings that I made for my parents and their friends! It was like seeing a painting brought to life, with almost all of the EXACT details that I painted in every specific area of the canvas! My favorite relative that my parents, my sister and I have visited was Uncle Cito, who is of course the BROTHER of my Facebook friend Auntie Melody, and he was a huge fan of superheroes and Transformers! I was so surprised to see what kind of a fan he was! During the times in Manila, Philippines, life can be very stressful since I felt like I miss Virginia so much. Mostly because of all the foods that I had trouble coping with in every restaurant my parents wanted to go to honor their friends. Many times, they would find some helpful alternatives for me to have an effective lunch or dinner. I knew that coming to the Philippines wasn't always a bad place to come, even if there are some places that challenges my taste and views.

By the end of May and the beginning of June, we traveled to the beaches, where we would have a relaxing time splashing ourselves with seawater and explore other exotic islands and life in the Philippine waters. We visited the El Nido resort and stayed there from Thursday to Sunday where would take some special trips to somewhere where we'll snorkel ourselves beneath the salty waters. My sister was like the only one out of our family to have an amazingly fun time! Me? I just go along with how they're enjoying themselves. I even got to kayak with Christine and finally ride the tides on a surfboard along the beach water! Sure feels like summer!


So overall, that's what I was doing and why I haven't touched this blog since the start of GMU spring semester. But that's all I have to recap everything that I've done so far! I wonder what I can expect to see or hear before arriving back in George Mason this fall following my LOOOOONNG break this summer!


Sunday, February 28, 2016

The 2016 Academy Award Winners!

The winners of my "favorite categories" at the 88th Academy Awards ceremony from last night are...!


Best Picture
  • The Big Short
  • Bridge of Spies
  • Brooklyn
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Room
  • Spotlight


Best Director
  • The Big Short (Adam McKay)
  • Mad Max: Fury Road (George Miller)
  • The Revenant (Alejandro G. Iñárritu)
  • Boyhood (Richard Linklater)
  • Room (Lenny Abrahamson)
  • Spotlight (Tom McCarthy)

Best Actor
  • Trumbo (Bryan Cranston)
  • The Martian (Matt Damon)
  • The Revenant (Leonardo DiCaprio)
  • Steve Jobs (Michael Fassbender)
  • The Danish Girl (Eddie Redmayne)

Best Actress
  • Carol (Cate Blanchett)
  • Room (Brie Larson)
  • Joy (Jennifer Lawrence)
  • 45 Years (Charlotte Rampling)
  • Brooklyn (Saoirse Ronan)

Best Supporting Actor
  • The Big Short (Christian Bale)
  • The Revenant (Tom Hardy)
  • Spotlight (Mark Ruffalo)
  • Bridge of Spies (Mark Rylance)
  • Creed (Sylvester Stallone)

Best Supporting Actress
  • The Hateful Eight (Jennifer Jason Leigh)
  • Carol (Rooney Mara)
  • Spotlight (Rachel McAdams)
  • The Danish Girl (Alicia Vikander)
  • Steve Jobs (Kate Winslet)

Best Original Screenplay
  • Bridge of Spies
  • Ex Machina
  • Inside Out
  • Spotlight
  • Straight Outta Compton

Best Adapted Screenplay
  • The Big Short
  • Brooklyn
  • Carol
  • The Martian
  • Room

Best Animated Feature
  • Anomalisa
  • Boy and the World
  • Inside Out
  • Shaun the Sheep Movie
  • When Marnie Was There

Best Production Design
  • Bridge of Spies
  • The Danish Girl
  • Mad Max: Fury Road
  • The Martian
  • The Revenant

Best Costume Design
  • Carol
  • Cinderella
  • The Danish Girl
  • Mad Max: Fury Road
  • The Revenant

Best Cinematography
  • Carol
  • The Hateful Eight
  • Mad Max: Fury Road
  • The Revenant
  • Sicario

Best Film Editing
  • The Big Short
  • Mad Max: Fury Road
  • The Revenant
  • Spotlight
  • Star Wars: The Force Awakens

Best Makeup and Hairstyling
  • Mad Max: Fury Road
  • The 100-Year-Old Man Who Climbed Out the Window and Disappeared
  • The Revenant

Best Original Score
  • Bridge of Spies (Thomas Newman)
  • Carol (Carter Burwell)
  • The Hateful Eight (Ennio Morricone)
  • Sicario (Jóhann Jóhannsson)
  • Star Wars: The Force Awakens (John Williams)

Best Original Song
  • Fifty Shades of Grey ("Earned It")
  • Racing Extinction ("Manta Ray")
  • Youth ("Simple Song #3")
  • The Hunting Ground ("Til It Happens to You")
  • Spectre ("Writing's on the Wall")

Best Visual Effects
  • Ex Machina
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Star Wars: The Force Awakens

Best Sound Mixing
  • Bridge of Spies
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Star Wars: The Force Awakens

Best Sound Editing
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Sicario
  • Star Wars: The Force Awakens


Sunday, February 21, 2016

Quick Review of 'Deadpool'


You gotta admit. The long-awaited Deadpool movie was just (language)-ing awesome!!! And they thought that it wasn't gonna be a huge hit 'cause it's an R-rated film (think Dredd or Punisher)! Since 2009, everybody's upset with what Fox did to our favorite Merc with the Mouth! But now, it looks like DP's $130-150 million weekend opening is music to our ears after Fox disappointed us with with their dull-looking "Fantastic" Four last year! Ryan Reynolds may have finally got himself a superhero franchise after the failure that is DC's Green Lantern (please announce the REAL Hal Jordan for the Zack Snyder's Justice League movie, WB)! Everything in Deadpool was just so darn hilarious in a vulgar way, that it really put the Hangover sequels and Ted 2 to shame! It's as though the large amount of comedy found in DP made Marvel's Guardians of the Galaxy look like a "b*#*h"! Kudos to the Zombieland writers! If anyone enjoyed the bloody & violent satirical elements of the 1st Kick-Ass, go see this movie instead! I like that the evolution of Wade Wilson to Deadpool (NOT as Weapon XI, with his mouth tightly shut) is a lot more faithful to the comics, particularly his treatment with cancer. That means Fox will have to officially declare that X-Men Origins: Wolverine is NON-CANON with the original X-Men films, even before the timeline wipeout in Days of Future Past. I love how Deadpool is always "breaking the fourth wall" as though he knows he's a part of the movie that we're watching! For example, after the ending credits, Deadpool would see that people at the auditorium theater are still here (obviously) and urged us to go home while hinting of what we might expect in the already-in-development Deadpool sequel (Cable, the time-traveling mutant and future son of Cyclops). Morena Baccarin and Gina Carano are in my opinion the hottest women in the Deadpool movie! I have a feeling that the woman (was very hot in her first scene) who is Wade/Deadpool's girlfriend is now gonna end up completely recognizable after being under the radar even while in TV shows like Homeland and Gotham! My favorite action sequence(s) is/are the car chase and gun fight, which is almost an exact copy of the test footage shown at Comic-Con! The opening credits intro had has laughing big time! But out of all of the entertaining songs in this movie, my favorite is the Salt n Peppa song that I heard in the trailers and during the end credits!
In sharing ties with the X-Men movie universe, even though to me Deadpool is not their type, Colossus is just what he should look like in the comics as opposed to his underdeveloped iteration in the Bryan Singer films. He talks like a true Russian! So funny yet gross when he was disgusted by Deadpool cutting off his own hand-cuffed hand and then vomited when he shot Francis/Ajax in the head while giving a hero doesn't kill speech. The little girl Negasonic Teenage Warhead (Brianna Hildebrand) is pretty cute and definitely the kind of girl most emo and gothic girls should hang out with. Love that Twitter joke before charging in towards Gina Carano!
It's great that Deadpool is finally the movie we've all been waiting for after being let down by the Wolverine prequel spin-off that may as well be treated as a cheap teaser trailer for the potential X-Men spin-offs. If only Venom got the proper movie treatment he deserves if Sony wasn't so greatly focused on letting Marvel use Spider-Man properly while completely in the dark after being upset with Amazing Spider-Man 2. Who needs the Deadpool video game? This movie is worth watching for us fans to entertain ourselves! I had a lot of fun hearing Deadpool joke around with the movie references like the "please don't make the suit green or animated" moment! Surprise that Deadpool is actually more successful than even the previous X-Men films including Days of Future Past. Let's see if this May's X-Men: Apocalypse will try to keep up when delivering a new vision on the new X-Men team's battle with Apocalypse now that Bryan Singer is back at the helm! I don't know what a chimichanga will taste like, but I know it's spicy yet wanting to taste it and feel like I'm now officially pretending to be Deadpool besides Spider-Man or Captain America!

Saturday, January 23, 2016

Regretful Throwback Review of 'The Amazing Spider-Man 2'


Remember when I talked about how I enjoyed The Amazing Spider-Man 2 on the opening day back in May 2014 before I graduated NOVA to participate in George Mason? Forget I ever said that. At least last summer's Avengers: Age of Ultron was way more entertaining than this failure (yeah, I said it) despite being so-so. It was that one time that I thought for sure that we finally have the most definitive movie portrayal of Spider-Man of all time as a way to erase the emo-ness/humorlessness/crybabishness of Tobey Maguire in the depressing (that's right) trilogy closure Spider-Man 3 after seeing the 1st "Amazing" Spider-Man, I thought for sure that the sequel would be any better if not so than Sam Raimi's truly spectacular (no pun intended) Spider-Man 2 (maybe like Godfather 2, it should have been the actual end of Tobey/Peter's story). Even though I enjoyed how Andrew Garfield made his Spider-Man more humorous, by wearing his extremely FLAWLESS costume for a decent amount of time without relying on frequently taking his mask off and act like he was taken straight from the comics and brought to life on the big screen, perhaps it shouldn't be too super corny (unlike the 2012 predecessor) for even the comic book fan audiences to cope with thanks to the INFERIOR and distracting soundtrack by Oscar-winning Hans Zimmer (along with the "Magnificent Six") as opposed to the more memorable and heroic soundtracks by Danny Elfman or the late James Horner in the predecessors. As much as the chemistry between Andrew Garfield and Emma Stone is much more sweeter than Tobey Maguire and Kirsten Dunst, it unfortunately takes up a lot of screentime a little too much with all of the unnecessary breakups and getting back together whatsoever. Almost every character, like Felicity Jones' Felicia Hardy (Black Cat) and Paul Giamatti's over-the-top mechanized Rhino (hilariously only seen at the start and the end of the film), that is "crucial" to this so-called Spider-Man Cinematic Universe that Sony hopes to build were absolutely unnecessary that they just ended up having no payoff. Same thing with the villains, particularly Electro (Academy Award-winner Jamie Foxx) who is of course so uber-cheesy, just like the German-accented mad scientist Dr. Kafka, when he starts off as an electrician nerd who wants to be seen by the public and then have only two major fight scenes in both Times Square and the Oscorp electric power plant grid despite being the "main villain" who sadly has no connection with what Peter Parker has to deal with after battling the Lizard in the first film. That is probably what made the overall ASM2 plot a little confusing. And Dane DeHaan. Oh boy, was I wrong to admit how "great" he is compared to James Franco's whiny counterpart who is clearly not a worthy "Green Goblin" like Norman Osborn wanted him to be in Spider-Man 2. Just like Chris Cooper's Norman Osborn, who is suddenly sick and dying (and then we don't see him being alive in the mid-credits scene as rumored), the new Harry Osborn became the [first] Green Goblin (in order to cure his genetic sickness after his offer to Peter/Spider-Man got turned down (obviously)) and then first attack Spider-Man after Electro's defeat only to end up unconscious after a brief fight in the clocktower. And because we're no longer getting an Amazing Spider-Man 3 as planned, all that Green Goblin nonsense (with all of his attack on Oscorp scenes stupidly cut out after the transformation) is but a tragic waste. Except that kind of nonsense resulted in the death of Gwen Stacy. Yeah, I knew that was gonna happen since it happened before in the comics, but I didn't think it would be handled like this. Though it's too bad that Dane DeHaan's Green Goblin (except too human-like) was just simply there to kill off Gwen. So both his and James Franco's Harry the Green Goblins are officially ruined by becoming cheap afterthoughts like Jean Grey's Dark Phoenix in X-Men 3. Guess the studio interference really did a huge number on this potentially wasted sequel to the unnecessary reboot. Now we will never get to see if the whole Sinister Six plot (regarding the "Gustav Fiers" character, who mysteriously first appeared in Dr. Connors' prison in ASM1) will really came to fruition as hinted by the ego-headed producers. That we probably don't need in Amazing Spider-Man 2 (now one of the biggest failed movie franchise starters since Golden Compass and Green Lantern) if it's not going to be a real thing at all. The same can be said for the underdeveloped Peter Parker parents subplot that was supposed to be "an important thing" (hence, the "untold story" in ASM1). Oh, and for the final battle part, it would be better if we don't have the random near plane double collision and the Aunt May hospital scenes since we DON'T CARE ABOUT THEM and mean nothing to Peter and Gwen's fight with Electro.
No wonder reviews from critics, including Spidey fans, were all as though written by J. Jonah Jameson. This is the Spider-Man movie Sony thinks will "earn $1 billion"? I think not, given that there's like a LOT of mediocrity with the poor script (Roberto Orci & Alex Kurtzman, mind you), the characters, the inconsistent tone, and how everything is too commercial like the Joel Schumacher Batman films were. What a pretty poor gamble they had made. It must be why its $709 million worldwide gross is considered a very low record for Sony, which is apparently due to our lukewarm attention towards the once iconic Marvel superhero in his too-soon-to-be-made reboot prior to the massive popularity of the more bankable Avengers after Spider-Man 3 destroyed our anticipated expectations and our long term interest in the web-slinger back in 2007. That must be how this franchise fatigue thing works whenever you reach up to movie #4 or #5. Thank goodness that Sony agreed to let Marvel borrow the Spider-Man universe to better incorporate it into the Avengers world while still retaining half of their creative and distribution rights.
Even though for some reason after The Amazing Spider-Man 2 got mixed to now more negative reviews, opinions (particularly on YouTube) for Sam Raimi's "awful" mistake that is the laughably-horrendous Spider-Man 3 are starting to change by saying that everything in that X-Men 3-type threequel is "better" than the [more tolerable] Amazing Spider-Man films because the action is "decent" ('cept we actually don't see enough Black-Suited Spider-Man action after the Sandman subway fight like we thought) and that Peter being all emo and dancing like an idiot is "what makes him a nerd" (ugh, but isn't the silly humor feeling MISPLACED and oh, FORCED unlike in 1 & 2!?). Why? If Spider-Man 3 wasn't the worst movie of all time by undermining everything that Spider-Man stood for as Spider-Man 2 had established, then Sony would never have considered rebooting the Spider-Man movie franchise we know is just too good to be immediately remade even if we're in the 2010s when next thing they know, they're only damaging the Spider-Man character even further by retelling the origin story in a more lazier way when you don't have Uncle Ben's death (Martin Sheen specifically) being the main factor for Peter's reason to become a "responsible" hero like how it was successfully handled in the 2002 film. It's precisely why I now like the X-Men movie franchise way more when you have time-travel to fix everything and still bring back old characters from the original 3 without permanently ignoring them and then give them a proper happy ending while paving way for a newer timeline that has James McAvoy, Michael Fassbender, and Jennifer Lawrence. That should have happened to the Sam Raimi films in order to remove the tainted problems from Spidey 3 and give Tobey Maguire and Kirsten Dunst a proper happy ending like what SM2 actually did and accept that the original Spidey films are better off as TWO MOVIES instead of a "trilogy" that we so greedily kept calling them. This way, we'll always honor the "With Great Power, Comes Great Responsibility" message when we DON'T mention the stupid and immature things that Tobey "Crybaby" Maguire had done when wearing the "Dance-Off" Black Suit or the meaningless revelation that Sandman killed Uncle Ben, which were strangely approved by Sam Raimi and Ivan Raimi in the script (even before the studio's behest to include Venom). Why can't the fans understand that and admit that Spider-Man 3 is a 2007 movie that should be wiped off from the face of the Earth?
The way that Amazing Spider-Man 2 ended with a spider symbol appearing after Peter goes back being Spider-Man (which took long enough after "5 months") to save the people of New York from Rhino, it's a shame that we'll no longer be getting an actual ending for Andrew Garfield's time as our favorite future Avenger if the not-as-successful $709 million gross and a 53% fresh rating from Rotten Tomatoes says so. Perhaps the Sony executives should have learned their lesson on how to not mess with the final product of either Spider-Man 3 or Amazing Spider-Man 2, as well as how to not remake something so classic and iconic (like Total Recall or RoboCop) in favor of low-grade "enhancements" that it will only hurt our feelings towards the superior original works. That is why we must not lose our faith and interest in Spider-Man, the most responsible hero of the biggest Marvel universe that he is already a part of. So for me, whether you Spider-Man 3 lovers like it or not, the only Spider-Man movies in existence are Sam Raimi's Spider-Man (2002) and Spider-Man 2 (2004), and finally Marvel's Spider-Man (coming July 7th, 2017) starring our newest member of the Marvel Cinematic Universe who will help redeem your friendly neighborhood hero once again where Andrew Garfield had failed: Tom Holland. I will await the first full look at his Spider-Man character as soon as Captain America: Civil War draws closer to May 6th this year!

Mid-January 2016's Biggest Snowmageddon Ever?



Just when I was starting this year's Spring Semester at George Mason University after my long relaxing winter break, I didn't think that the snowy weather would be such a big "maelstrom" for us to deal with. No wonder my sister Christine is unable to come visit us in Virginia as planned. With that snowy catastrophe happening already, I was hoping that nothing at my house would be all so boring when I have to dealt with things like preparing the class materials for next week (while facing the inevitability of GMU's status quo due to the inclement weather) and then trying to finish up the 16x20 inch Philippine General Hospital painting as soon as possible. I only pray that I have time to do so.
I'm also kinda nervous of how this weather'll affect everything in my home once it subsides around Saturday night. What I do know is no church mass, no swimming practice at GMU on Sunday, and maybe no class/class delayed by 2 hours late next Monday. Even so, the snowstorm might even affect the newly-released movies like The 5th Wave which would surely FLOP pretty hard at the box office big time. That is something that I clearly do not want that. I just believe that we're like gonna be completely buried deep beneath the snow! I hope that we have enough big shovels, snow plows and snow blowers to excavate as much snow as we can.

Thursday, January 14, 2016

The 2016 Oscar Nominations Are In!

While shaking off the losses of both David Bowie and Alan Rickman, here are my favorite Oscar nomination categories announced this week.

Which one of the 2015 movies will win an Academy Award for Best Picture of the Year? Will it be...?
  • The Big Short (5 nominations)
  • Bridge of Spies (5 nominations)
  • Brooklyn (3 nominations)
  • Mad Max: Fury Road (10 nominations)
  • The Martian (7 nominations)
  • The Revenant (12 nominations)
  • Room (4 nominations)
  • Spotlight (6 nominations)


Best Director?
  • The Big Short (Adam McKay)
  • Mad Max: Fury Road (George Miller)
  • The Revenant (Alejandro G. Iñárritu)
  • Boyhood (Richard Linklater)
  • Room (Lenny Abrahamson)
  • Spotlight (Tom McCarthy)

Best Actor?
  • Trumbo (Bryan Cranston)
  • The Martian (Matt Damon)
  • The Revenant (Leonardo DiCaprio)
  • Steve Jobs (Michael Fassbender)
  • The Danish Girl (Eddie Redmayne)

Best Actress?
  • Carol (Cate Blanchett)
  • Room (Brie Larson)
  • Joy (Jennifer Lawrence)
  • 45 Years (Charlotte Rampling)
  • Brooklyn (Saoirse Ronan)

Best Supporting Actor?
  • The Big Short (Christian Bale)
  • The Revenant (Tom Hardy)
  • Spotlight (Mark Ruffalo)
  • Bridge of Spies (Mark Rylance)
  • Creed (Sylvester Stallone)

Best Supporting Actress?
  • The Hateful Eight (Jennifer Jason Leigh)
  • Carol (Rooney Mara)
  • Spotlight (Rachel McAdams)
  • The Danish Girl (Alicia Vikander)
  • Steve Jobs (Kate Winslet)

Best Original Screenplay?
  • Bridge of Spies
  • Ex Machina
  • Inside Out
  • Spotlight
  • Straight Outta Compton

Best Adapted Screenplay?
  • The Big Short
  • Brooklyn
  • Carol
  • The Martian
  • Room

Best Animated Feature?
  • Anomalisa
  • Boy and the World
  • Inside Out
  • Shaun the Sheep Movie
  • When Marnie Was There

Best Production Design?
  • Bridge of Spies
  • The Danish Girl
  • Mad Max: Fury Road
  • The Martian
  • The Revenant

Best Costume Design?
  • Carol
  • Cinderella
  • The Danish Girl
  • Mad Max: Fury Road
  • The Revenant

Best Cinematography?
  • Carol
  • The Hateful Eight
  • Mad Max: Fury Road
  • The Revenant
  • Sicario

Best Film Editing?
  • The Big Short
  • Mad Max: Fury Road
  • The Revenant
  • Spotlight
  • Star Wars: The Force Awakens

Best Makeup and Hairstyling?
  • Mad Max: Fury Road
  • The 100-Year-Old Man Who Climbed Out the Window and Disappeared
  • The Revenant

Best Original Score?
  • Bridge of Spies (Thomas Newman)
  • Carol (Carter Burwell)
  • The Hateful Eight (Ennio Morricone)
  • Sicario (Jóhann Jóhannsson)
  • Star Wars: The Force Awakens (John Williams)

Best Original Song?
  • Fifty Shades of Grey ("Earned It")
  • Racing Extinction ("Manta Ray")
  • Youth ("Simple Song #3")
  • The Hunting Ground ("Til It Happens to You")
  • Spectre ("Writing's on the Wall")

Best Visual Effects?
  • Ex Machina
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Star Wars: The Force Awakens

Best Sound Mixing?
  • Bridge of Spies
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Star Wars: The Force Awakens

Best Sound Editing?
  • Mad Max: Fury Road
  • The Martian
  • The Revenant
  • Sicario
  • Star Wars: The Force Awakens





Tune in to find out during ABC's 88th Annual Academy Awards ceremony on Sunday, February 28th. Hosted by Chris Rock!