Phew! Boy, did I work so hard over the course of the semester at George Mason this fall! Not only did my sister Christine came home to spend with us for the holidays, but I finally finished up History of Game Design (GAME 230-001), Critical Theory of Art (AVT 472-001), Basic Game Design (GAME 210-004), Music & Sound for Film & Video (GAME 250-001), and of course Package Design (AVT 417-001)! I have the final grades to prove it!
At first, I thought for sure that Professor James B. Hicks was gonna be a touch teacher to handle with, but after having a nice talk with Jessica Machado, Wayne Adams and my mom, things are becoming less stressful and next thing I know, his attitude with me and the other Package Design students has slightly improved and is actually being quite easy with us! I know I got a B- on my first project which is the Heartland Soup cans, but in the next following projects, my grades and the reactions I get from the teacher and the classmates have greatly improved and almost everyone, including Ben, Angela, Ryan and KC, in what was a very difficult subject have started supporting me and gave me some confidence that I need to complete my projects. Angie even helped me with the purchase display project and convinced me that I actually don't need to include the boxes containing 9 soup cans that I was struggling to work on. I was happy that I got an A- by the end of the semester instead of a B like I thought I might get! Even better, I got an A+ in Seth Hudson's History of Game Design class where I worked VERY HARD on the final paper about the Pac-Man topic! An A for Lynne Constantine's Critical Art Theory class and Josiah Lebowitz's Basic Game Design, and I also got an A- for Thomas Stanley's sound design class where I create my videos (including the hilarious Charlie Chaplin short) and incorporated my own sounds and my own music that I make in the work station! Although, I was disappointed that I got a C+ in the online exam for the sound class and on the final Basic Game Design project that Cooper, Ali, Bryce and I have worked since the midterm. But that doesn't stop me from getting the A grades like I always have!
From November to December, I got to see Doctor Strange, Trolls, Rogue One, and of course Sing! Never thought I would actually enjoy them all even after being so underwhelmed by critically/financially disappointing summer movies that aren't Captain America: Civil War, Finding Dory, or The Secret Life of Pets! But that's not all!
Trailers to all the upcoming 2017 movies have been popping up! Including Transformers 5, Fast & Furious 8 (or "The Fate of the Furious"), Pirates of the Caribbean 5 (the one with Javier Bardem), Pixar's Cars 3, Despicable Me 3, the final Wolverine movie Logan, and the long-awaited Marvel Cinematic Universe Spider-Man movie starring Tom Holland himself! But what I'm most excited to see next year are the live-action Beauty and the Beast remake, Transformers: The Last Knight, and Spider-Man: Homecoming! However for Transformers 5, I can only hope that building a writers' room starting with the aforementioned will mark a significant improvement from the 2-year-old thought-to-be-pointless-cash-grab that proves that the Bayformers are the "worst thing that's ever happened" since the Milla Jovovich Resident Evil movies. Because watching the teaser trailer has given me the suspense and a lot of questions of what I can really expect besides learning about the happy returns of familiar faces from TF 1-3 including Josh Duhamel, Tyrese Gibson, Barricade and Megatron (Galvatron from #4?), further development of Transformers mythos as promised by the new writers hired by Akiva Goldsman, lack of uninspiring Age of Extinction stars minus Mark Wahlberg and Stanley Tucci, while hoping that TF5 will deliver the same TF movie experience that I have been missing so much since my 2nd year at Oakton High School without repeating the same tiring and upsetting mistakes that has absolutely hurt the sequels since Revenge of the Fallen! And as for Spider-Man: Homecoming, the moment Tom Holland's Spidey was all "'Sup, guys? Wait a minute. You guys aren't the REAL Avengers!", it was that exact point that I know for sure is exactly the Spider-Man we so rightfully deserve after being so impressed with Ben Affleck's Batman. Even if it's not ANOTHER origin story nor does it have a familiar villain like Green Goblin, Doc Ock or Lizard, what I really want is for the new Spider-Man movie to cleanse the bad tastes that we fans had to suffer through Sam Raimi's Spider-Man 3 and the now-uncompleted Amazing Spider-Man franchise! No matter what people say about Tobey Maguire being the "best Spider-Man ever", what's to stop them from wanting to see the Spider-Man who should be making hilarious quips JUST LIKE IN THE COMICS that I know most kids like? Whether it will earn the same amount of money as the first three from when I was in elementary and high schools, I hope that it will once again make Spider-Man a blockbuster hit that Sony has been desperate to achieve!
Speaking of Spider-Man 3, though I can't believe that I have to say this. But maybe Spider-Man 3 is not the "#1 worst movie" I have ever seen. It still is in my view, but not at #1. I basically called it that because it was overwhelmed by a huge number of things that I know tarnished (or did it?) the greatness of the first two films like X-Men 3 once did to the 1st two Bryan Singer X-Men films as soon as we got an Andrew Garfield reboot (and its now-wasted sequel) instead of a Spider-Man 4 (with or without Vulture or "Vulturess") that would have redeemed the original cast's reputation. In fact, after Sony marked The Amazing Spider-Man 2 a "disappointing failure" for earning just $709 million worldwide and being given a 52% rating by Rotten Tomatoes, I blamed Spider-Man 3 for causing the death of what could have been the most memorable blockbuster movie franchise up there with Harry Potter and Shrek. But yet, every comment I would find, whether on YouTube or other movie database sites I would usually browse on Safari, all I would find is that Spider-Man 3 is "terrible but does not deserve a lot of hate". It's like despite a lot of things that people dislike in that threequel, they just acted like it's a continuation worth remembering unlike Independence Day 2 or the Matrix sequels when it comes to the word "trilogy" (think Star Wars, The Lord of the Rings, Back to the Future, and The Dark Knight)! It's no wonder there are petitions for a Spider-Man 3.1 Cut which restores some much needed extra footage such as Sandman and his tragic relationship with his daughter, Eddie Brock trying to approach Gwen Stacy, and Venom's alternative way of convincing Sandman to team up with him (that doesn't involve "Interested? Yeah, sure") to kill Spider-Man. Even though the studio is to be blamed for forcing Sam Raimi to include Venom and Gwen which interferes with his original vision. I wasn't sure how can it be so when nothing in Spider-Man 3, besides the more familiar aspects that was still retained from the first two, has given an indication that what was once likable can remain so. Do they not have a huge problem with how Mary Jane disses Peter for not understanding her Broadway career downfall (her career dream is to be a theater actress (NOT as a singer), right?) and for stupidly going along with Harry's plan to break up with him despite that she will always "support" Peter at the very end of Spider-Man 2 ("Go get 'em, tiger")? Especially when Peter/Spider-Man does the upside down kiss with Gwen IN FRONT OF MARY JANE, as though he is nothing but a self-absorbed idiot before he made contact with the alien Symbiote? How does that make Tobey Maguire's Spider-Man "likable" as he was in 1 and 2? And there's no way that I would call the Peter/Harry fights "awesome" when they're like super cheesy and the fact that their second fight inside the Osborn Mansion is filled with awfully-written dialogue that tried to be funny when they're NOT! I treated the moment when Peter and Aunt May found out from Captain Stacy that it was Flint Marko who actually killed Uncle Ben (revealed that he actually shot him by accident when the carjacker carrying the stolen cash startled him) in the more enjoyable first one, as a cheap motivation to gain our attention to experience our first look at the Black-Suited Spider-Man on the big screen when all we got is nothing but TOO MUCH EMO PETER PARKER that pretty much made a mockery of Marvel's most beloved comic book superhero. And why would people enjoy Spider-Man 3 and not erase it from their minds (like most other certain awful/bad movies) when they have the worst depiction of Eddie Brock/Venom since Deadpool's transition to Weapon XI in the should-be-non-canon-even-before-DOFP X-Men Origins: Wolverine? But even if Spider-Man 3 is "improved" by extra scenes (in a novelization by Peter David or in the 3.1 version) that makes the multiple characters and storylines far from superfluous like most reviews say, does the Sandman retcon still ruin what was already well-handled and similar to how it was in the comics in the first Spider-Man movie unlike in the forgettable Amazing Spider-Man? Maybe the only way that Spider-Man 3 would be more watchable than the so-called Amazing Spidey films, is that I would skip out almost every cheesy as f**k Emo Peter Parker scenes (including "Now dig on this"), parts with the news reporter and the crowd ("Awesome! Wicked cool!") during when Spider-Man was about to be overwhelmed by Sandman and Venom, the Harry & Mary Jane "Do the Twist" dance, the butler's too-little-too-late revelation to the facially-scarred Harry Osborn, the Tobey Maguire crybaby faces, mute Sandman's "and the gun was in hand" line and have myself say that his partner with the stolen cash "shot him", thus removing the retcon that made everyone loses their mind on and everything that led Peter to becoming Spider-Man in the first film wouldn't be because of a little "accident", and to make the Peter/Mary Jane slow dance ending far from depressing (in my opinion), I would view the happy final swing video on YouTube (see http://www.youtube.com/watch?v=_dSeUJy_X5o). I mean, why would I "give Spider-Man 3 a chance" when from now on, the only Sam Raimi Spider-Man movies that are canon in my head are 1 and 2? Just like I see the first two Alien movies as canon only, and then disregard Alien 3 (no matter how better is the "Assembly Cut," if it still killed off poor Hicks and Newt at the start due to an Alien egg that WASN'T SUPPOSED TO BE ON THE SULACO IN THE FIRST PLACE!) and/or Alien Resurrection. After all, X-Men: Days of Future Past was able to give the original X-Men trilogy cast an actual happy ending by erasing everything that led to the X3 disaster and thus brought back Cyclops and Jean Grey from the dead. How can the way that Spider-Man 3, that was tainted by an awful amount of stuff that made the characters we so love more than the Amazing Spider-Man characters completely idiotic, ended be truly "happy"? Spider-Man 2 ended on a HAPPY note, like the journey of Tobey Maguire's Peter Parker to accepting his true destiny as Spider-Man is already completed since he finally have Mary Jane (b*tchy or no) as his girl, if we ignore the part with Harry discovering the Green Goblin lair when he clearly said no to his dead father's hallucination yelling "Avenge me"! Yet people keep saying "trilogy" like Spider-Man 3 is an entirely important chapter like Star Wars: Return of the Jedi, The Dark Knight Rises, and The Lord of the Rings: The Return of the King always were despite knowing that every third installments are "always the worst"!
But when I read over the review (https://bradleybasement.wordpress.com/spider-man/spider-man-3-film/) on the Spider-Man 3 novelization, it says that it was a "great improvement on the actual movie", given that author Peter David "enhances on the darker nature of Peter Parker's character when he gets increasingly over-confident", as well as exploring that, for example, "MJ is trying to protect Peter as well as her when being threatened by Harry" and "thinking about Peter when kissing Harry, as she realizes that what she's doing is wrong" (yes, but does it still make her likable unlike in the movie?). And when I piece that review with the other comments that "Spider-Man 3 doesn't deserve a lot of hate" after being upset with Amazing Spider-Man 2, that was when I had some second thoughts about if I should permanently ignore Spider-Man 3 like the time-traveling at the end of X-Men: DOFP did to the pre/post-X3 events. Perhaps I was being a little too hard on the threequel that I thought pulled the same franchise-killing technique as Superman IV and Batman & Robin. If the Ultimate Edition version can make me change how I feel about Batman v Superman, which contains like a lot of stuff that most people had a problem albeit with some enjoyable parts like Wonder Woman, perhaps the extension and further development of some random scenes (when I read the novelization that my sister has just ordered from Amazon as a late Christmas gift) in Spider-Man 3 will change my opinion of what was thought to be a very depressing ending for the Sam Raimi Spider-Man trilogy that everyone claims to be "great" even though we actually have a much more likable Spider-Man (whose own solo movie is coming next July) in the ever-expanding Marvel Cinematic Universe.
So to conclude this blog post, I had a hard day's work over the past 3 months. Mom and I had a nice talk with Linda Barajas about considering taking a job internship next summer, yet I was unsure of what I can expect as I move ahead to spring semester at George Mason next year.
I should be ready for Christmas Day this weekend! I hope I have plenty of time to see all the holiday specials like Shrek the Halls and the Chuck Jones' How the Grinch Stole Christmas cartoon, or the Christmas-themed movies like The Polar Express and Gremlins on the night of Christmas Eve before I would go to bed so Santa may come to our house to deliver our presents, even if we're not little kids anymore. So as Santa Claus would say, "Merry Christmas to all, and to all a good night!"
Saturday, December 24, 2016
Friday, September 30, 2016
Quick Review of 'Warcraft'
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Friday, September 23, 2016
Gabe's 25th Birthday Week!
Three days ago, I went with my mom to Cici's Pizza for lunch after my class time with Lynne Constantine. Then, we went to Best Buy where I can get the Teenage Mutant Ninja Turtles: Out of the Shadows Blu-ray 3D. Cowabunga! Later that night after my swimming at Oak Marr, we held together a nice, yummy birthday cake. We even got to skype my sister Christine Mayuga! I opened my birthday presents, and what I got are the Suicide Squad Joker and Harley Quinn action figures that Christine ordered from Amazon, the Star Wars Rebels Season 2 Blu-ray, and the Civil War Black Panther (finally!) and Agent 13/Sharon Carter Toys R' Us exclusive pack that I bought from the store ON THE EXACT SAME DAY. It's like my birthday week is gonna be lots of fun before it would get even more exciting in the next 2 weeks when I invite my Mason Swim Club friends to Bowl America for my birthday party! Today, mom and I got the chance to see the laugh-out-loud/cute animated movie Storks at Regal Fairfax Towne Center this afternoon. I hope that the birthday party at my house will be tons of fun no matter how important is my preparation for the History of Game Design quiz and the full priority submission of the soup can labels for the hopefully-more-friendly critique with Prof. Hicks! 25 years really is a long time for me!
Friday, September 2, 2016
Welcome to Game Design at George Mason!
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| Image taken from Gaming Blog |
*Sighs* So here I am. Back at George Mason after my LOOONG summer break. Only this time, the Critical Theory of Arts and Package Design classes aren't the only subjects I'll be taking this semester. 'Cause this time, I've just got myself declared a minor in Game Design!
Where do I start? Well, after my mom and I had a brief meeting with Jeremy Tuohy two weeks ago, we agreed that it would be great if I could have game design as my new required/elective subject after I am using up a lot of required classes for graphic design. At the same time however, it was decided that I may have to have one more school year prior to graduation and my earning in the BFA degree. Specifically, instead of May 2017, my graduation date would now have to be May 2018 which is two years from now.
I have already entered my new semester as of Aug. 29th, and so far, I seem to be having a good time if not so easily challenged by the new subjects I now have to deal with. Of all the game design classes, they are History of Game Design (GAME 230-001; Seth Hudson), Basic Game Design (GAME 210-004; Josiah Lebowitz), and Sound and Music for Film and Video (GAME 250-001; Thomas Stanley). While these classes have these intriguing gaming details, what concerns me more are the upcoming assignments and forthcoming deadlines of projects or inevitable quizzes and tests. But with some helpful assistance and advice from my trustworthy teachers and my beloved mother, I hope that I will have no problem accomplishing all five of these subjects in one entire semester before I would be ready for the holidays! I better not let them down!
Sunday, August 28, 2016
What's Wrong with the 2016 Movies?
No matter how much "fun" I had in the hot summer of 2016 with my loving family, the same can't be said for these blockbuster movies that had such promise. Why is it that the only films, besides Captain America: Civil War, Finding Dory, The Secret Life of Pets and Suicide Squad, that were very successful are mostly in the spring (Deadpool, Zootopia, Jungle Book)? What has happened to those that unfortunately didn't bring much excitement like they have before? Is it the poor marketing? Or is it the vaguely tiring storylines in franchises that either overstayed their welcome or they were not supposed to be from the very beginning? Right now, the only films that I'm glad/ok with that they lost money at the box office are the entirely unnecessary Ice Age: Collision Course and the Ben-Hur remake, as well as the expected-to-flop Gods of Egypt and the critically-divisive all-female Ghostbusters reboot. For Universal/Legendary/Blizzard Entertainment's Warcraft, I had a feeling that it wouldn't be a huge hit, except in international states like China, given its lack of box office draws and my unfamiliarity with the World of Warcraft video game concept. Here are the 2016 movies (some of which I enjoyed or thought I did enjoy, or never seen but heard of) that I didn't expect them to end up as critically and/or financially disappointing flops that could trigger possible consequences:
Teenage Mutant Ninja Turtles: Out of the Shadows
RT: 38% / CinemaScore: A-
Budget: $135 million
Current Box Office Run: $242.5 million ($82 million in U.S.)
Predecessor: TMNT (2014) (Worldwide: $493.3 million/U.S.: $191.2 million; RT: 22%, CinemaScore: B)
The Divergent Series: Allegiant
RT: 13% / CinemaScore: B
Budget: $110 million
Current Box Office Run: $179.2 million ($66.2 million in U.S.)
Predecessor: Divergent (Worldwide: $288.9 million/U.S.: $150.9 million; RT: 41%, CinemaScore: A) & Insurgent (Worldwide: $297.3 million/U.S.: $130.2 million; RT: 28%, CinemaScore: A-)
The Nice Guys
RT: 91% / CinemaScore: B-
Budget: $50 million
Current Box Office Run: $36.3 million (U.S. only)
Predecessor: n/a
Kubo and the Two Strings
RT: 96% / CinemaScore: A
Budget: $60 million
Current Box Office Run: $27.6 million ($24.9 million in U.S.)
Predecessor: n/a
13 Hours: The Secret Soldiers of Benghazi
RT: 50% / CinemaScore: A
Budget: $50 million
Current Box Office Run: $69.4 million ($52.9 million in U.S.)
Predecessor: n/a
X-Men: Apocalypse
RT: 48% / CinemaScore: A-
Budget: $178 million
Current Box Office Run: $541.1 million ($155.4 million in U.S.)
Predecessor: X-Men (Worldwide: $296.3 million/U.S.: $157.3 million; RT: 81%, CinemaScore: A-), X2 (Worldwide: $407.7 million/U.S.: $214.9 million; RT: 86%, CinemaScore: A), X-Men: The Last Stand (Worldwide: $459.4 million/U.S.: $234.4 million; RT: 58%, CinemaScore: A-), X-Men: First Class (Worldwide: $353.6 million/U.S.: $146.4 million; RT: 86%, CinemaScore: B+), & X-Men: Days of Future Past (Worldwide: $747.9 million/U.S.: $233.9 million; RT: 91%, CinemaScore: A)
Star Trek Beyond
RT: 83% / CinemaScore: A-
Budget: $185 million
Current Box Office Run: $243 million ($151 million in U.S.)
Predecessor: Star Trek (Worldwide: $385.7 million/U.S.: $257.7 million; RT: 95%, CinemaScore: A) & Star Trek Into Darkness (Worldwide: $467.4 million/U.S.: $228.8 million; RT: 86%, CinemaScore: A)
Alice Through the Looking Glass
RT: 30% / CinemaScore: A-
Budget: $170 million
Current Box Office Run: $294.5 million ($77 million in U.S.)
Predecessor: Alice in Wonderland (2010) (Worldwide: $1.025 billion/U.S.: $334.2 million; RT: 52%, CinemaScore: A-)
Independence Day: Resurgence
RT: 32% / CinemaScore: B
Budget: $165 million
Current Box Office Run: $382.4 million ($102.9 million in U.S.)
Predecessor: Independence Day (Worldwide: $817.4 million/U.S.: $306.2 million; RT: 61%, CinemaScore: A)
Oh, what the heck. I think I'm glad that it didn't do well at the box office! Maybe Roland Emmerich should not have thought about making a sequel (or two) to Independence Day 20 years ago! At least Star Wars: The Force Awakens and Jurassic World paid better respect to their long-time predecessors!
So in conclusion, I believe that this year would have probably gotten better movies if neither of them were sequels or remakes to movies that nobody's crazy about or are vastly underrated films that have intriguing originally-conceived concepts yet aren't heavily-marketed enough, based on these disappointing financial figures. Can't believe that this summer, while could have been more fun than last year, is coming to an end. But I hope that my new Fall Semester classes at George Mason will bring back the fun and happiness that I always had!
Teenage Mutant Ninja Turtles: Out of the Shadows
RT: 38% / CinemaScore: A-
Budget: $135 million
Current Box Office Run: $242.5 million ($82 million in U.S.)
Predecessor: TMNT (2014) (Worldwide: $493.3 million/U.S.: $191.2 million; RT: 22%, CinemaScore: B)
The Divergent Series: Allegiant
RT: 13% / CinemaScore: B
Budget: $110 million
Current Box Office Run: $179.2 million ($66.2 million in U.S.)
Predecessor: Divergent (Worldwide: $288.9 million/U.S.: $150.9 million; RT: 41%, CinemaScore: A) & Insurgent (Worldwide: $297.3 million/U.S.: $130.2 million; RT: 28%, CinemaScore: A-)
The Nice Guys
RT: 91% / CinemaScore: B-
Budget: $50 million
Current Box Office Run: $36.3 million (U.S. only)
Predecessor: n/a
Kubo and the Two Strings
RT: 96% / CinemaScore: A
Budget: $60 million
Current Box Office Run: $27.6 million ($24.9 million in U.S.)
Predecessor: n/a
13 Hours: The Secret Soldiers of Benghazi
RT: 50% / CinemaScore: A
Budget: $50 million
Current Box Office Run: $69.4 million ($52.9 million in U.S.)
Predecessor: n/a
X-Men: Apocalypse
RT: 48% / CinemaScore: A-
Budget: $178 million
Current Box Office Run: $541.1 million ($155.4 million in U.S.)
Predecessor: X-Men (Worldwide: $296.3 million/U.S.: $157.3 million; RT: 81%, CinemaScore: A-), X2 (Worldwide: $407.7 million/U.S.: $214.9 million; RT: 86%, CinemaScore: A), X-Men: The Last Stand (Worldwide: $459.4 million/U.S.: $234.4 million; RT: 58%, CinemaScore: A-), X-Men: First Class (Worldwide: $353.6 million/U.S.: $146.4 million; RT: 86%, CinemaScore: B+), & X-Men: Days of Future Past (Worldwide: $747.9 million/U.S.: $233.9 million; RT: 91%, CinemaScore: A)
Star Trek Beyond
RT: 83% / CinemaScore: A-
Budget: $185 million
Current Box Office Run: $243 million ($151 million in U.S.)
Predecessor: Star Trek (Worldwide: $385.7 million/U.S.: $257.7 million; RT: 95%, CinemaScore: A) & Star Trek Into Darkness (Worldwide: $467.4 million/U.S.: $228.8 million; RT: 86%, CinemaScore: A)
Alice Through the Looking Glass
RT: 30% / CinemaScore: A-
Budget: $170 million
Current Box Office Run: $294.5 million ($77 million in U.S.)
Predecessor: Alice in Wonderland (2010) (Worldwide: $1.025 billion/U.S.: $334.2 million; RT: 52%, CinemaScore: A-)
Independence Day: Resurgence
RT: 32% / CinemaScore: B
Budget: $165 million
Current Box Office Run: $382.4 million ($102.9 million in U.S.)
Predecessor: Independence Day (Worldwide: $817.4 million/U.S.: $306.2 million; RT: 61%, CinemaScore: A)
Oh, what the heck. I think I'm glad that it didn't do well at the box office! Maybe Roland Emmerich should not have thought about making a sequel (or two) to Independence Day 20 years ago! At least Star Wars: The Force Awakens and Jurassic World paid better respect to their long-time predecessors!
So in conclusion, I believe that this year would have probably gotten better movies if neither of them were sequels or remakes to movies that nobody's crazy about or are vastly underrated films that have intriguing originally-conceived concepts yet aren't heavily-marketed enough, based on these disappointing financial figures. Can't believe that this summer, while could have been more fun than last year, is coming to an end. But I hope that my new Fall Semester classes at George Mason will bring back the fun and happiness that I always had!
Monday, August 15, 2016
My Favorite Movies of Summer 2016
My Top 10 favorite movies of Summer 2016:
1. Captain America: Civil War - 91% (CinemaScore: A)
2. Finding Dory - 94% (CinemaScore: A)
3. Suicide Squad - 27% (CinemaScore: B+)
4. X-Men: Apocalypse - 48% (CinemaScore: A-)
5. Teenage Mutant Ninja Turtles: Out of the Shadows - 36% (CinemaScore: A-)
6. The Angry Birds Movie - 44% (CinemaScore: B+)
7. The Secret Life of Pets - 74% (CinemaScore: A-)
8. Star Trek Beyond - 85% (CinemaScore: A-)
9. Jason Bourne - 54% (CinemaScore: A-)
10. Ghostbusters - 74% (CinemaScore: B+)
Note: These percentages indicate how positive the critical reviews are, according to rottentomatoes.com. To learn more about CinemaScore, enter http://www.cinemascore.com/.
Monday, August 8, 2016
Quick Review of 'Suicide Squad'
You know what? Forget what everybody thinks. I think Suicide Squad is actually quite entertaining, better than Batman v Superman! When I looked at the 26% Rotten Tomatoes rating and the reviews stating that this suffered too much editing problems or a "muddled plot", I almost feared that it was gonna be like Green Lantern/Fant4stic-bad as one review would state. But when I finally got to see it last night with my sister, almost everything in that film actually got me quite satisfied even with some things that Warner Bros. and DC still needs to absolutely work on. So there we have in a world where Superman died from the Doomsday battle, and the government including the big boss of "Task Force X" herself Amanda Waller (better than the utterly-wasted Angela Bassett in the Ryan Reynolds GL film) are considering the alternatives of who they should use to defend the world from any possible off-world threat since the events of the first two DCEU starters. And that's when the Suicide Squad was born when some ancient supernatural force like the oh-so-sexy-but-weird-looking Enchantress threatens to bring total annihilation upon our world. The supervillains introduced in the Squad, minus Slipknot, have some brilliant chemistry amongst each other and are actually more fleshed out than ever instead of us seeing them as cheap evil villains. At least that it doesn't always take itself way too seriously when there's some parts where the added humor is necessary instead of awkwardly forced like the Iron Man sequels or Thor 2. The songs included made it look like it's Guardians of the Galaxy, except in a more twisted way when it comes to a supervillain-only movie. Deadshot, Harley Quinn, El Diablo, and Killer Croc are the biggest standouts of the Suicide Squad movie! But my favorite out of all of them are of course Harley Quinn, because Margot Robbie - she's hot and really acted like she had fun playing the character who dearly loves the Joker (A.K.A. Mr. J or "Puddin'") so much! I'm not even sure who's the hottest babe in this film? Her, the Enchantress, or the sword-wielding Japanese newbie Katana? Sometimes, I feel like I can't help but think to myself that the Enchantress (Cara Delvingne) is extremely hot due to her seductive bare-nakedness! And I believe that Will Smith really pulled off his Deadshot character, delivering some entertaining one-liners and having a tragic backstory of him trying to be with his daughter before getting arrested for the murders he committed as a hired hitman. He probably should have signed up and starred in the Independence Day sequel. But by the end of the movie as the Suicide Squad faces off with the Enchantress, things got a little interesting when El Diablo unleashes his true power by enlarging himself into some giant behemoth on fire! What really works and saved most of Suicide Squad from suffering from the studio-meddling problems was probably the music score composed by Academy Award-winner of Gravity Steven Price. For example, the part when Deadshot was about to fire his gun at the explosives to destroy Enchantress while conflicted by his daughter begging him not to pull the trigger and turn into the man she might be scared of. How emotional can you be? If they didn't hype up some stuff like the presence of Jared Leto's Joker, then this movie would have actually gotten some decent reviews instead of bad ones that make it out like it was a movie not worth seeing which I don't believe. But I would definitely kill (figure of speech) for some extended scenes that will really develop some stuff that should have been anything but cheap exposition like Harleen Quinzel's transformation into Harley Quinn. But at least we have the Batman: TAS "Mad Love" episode to better understand the Joker/Harley Quinn relationship. Heck, I would be happy to see what scenes, originally seen in trailers and TV spots, that have the Joker were cut out just to make us care about the Jared Leto version! I'm glad that the Batman we see in Suicide Squad is none other than Ben Affleck, who eventually tells Amanda Waller in the mid-credits scene to cease her Task Force X activities to let the Justice League handle the situations. Oh, and did I forget to mention about the Ezra Miller Flash cameo in the Capt. Boomerang flashback? Let's pray that the hiring of Geoff Johns & Jon Berg post-BvS/SS will mean that the DC Extended Universe will be just as good as the now-too-formulaic Marvel Cinematic Universe. Cue the Bohemian Rhapsody/Ballroom Blitz/Sucker for Pain, etc. song, evildoers! Glad that I'm not as underwhelmed as my first viewing of the theatrical version of BvS! I just think this summer could have been better if only it wasn't so full of financially-disappointing and critically-reviled films.
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